˙◊˙
◊ ◊ ◊ ◊ ◊ ◊
˙◊˙π {}  π ∆ ‡ | {} π˙◊˙
◊∞◊˙˚˙◊ ◊ ◊˙˚˙:˙∆˚˙˚∆ :˙˚˙◊ ◊ ◊˙˚˙◊∞◊
˙◊˙L a b o r a t o r i o  T a π g e π c i a l ˙◊˙
˙◊˙◊˙d e   A r t e   P o s n a c ! o π˙◊˙◊˙
◊ ◊ ◊˙˙˙˙˙˙˙˙˙˙˙◊◊˙˙˙˙˙˙˙˙˙˙˙◊ ◊ ◊

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<><><><>: : : : : : : : ||() ||∆‡|()|| presents: : : : : : : : : <><><><>
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◊◊◊◊◊◊ A Tour of Observations, Experiences and Objects ◊◊◊◊◊◊
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- STATEMENT -

Tourism determines a new dynamic for capital, history, fictions, myths, discourses, and values. Tourism encompasses the contemporary practices of mobility including the migration of cultures, objects, and people.

The group show “A tour of observations, experiences and objects” is the result of the class seminar Tour-ism: Critical Itineraries, which examined the politics of tourism and the artistic methodologies available for engaging critically with the discourse surrounding the tourist, and its transformed objects: the city, the native inhabitant, the visitor, etc.

Our research was guided by questions such as: Can we look at traveling itineraries as an art form, as a form of knowledge and experience? How do we “perform the city”? How do we walk in the city? How do our actions transform the city, and how do we relate our creative processes to tourism, and the relatively new subjectivity of the tourist.

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~ ~ Live performances and installations will be on display from 7:00 pm to 10:00 pm followed by a night reception. ~ ~
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~ ~ ~ ~ ~ ~ FEATURING WORKS BY ~ ~ ~ ~ ~ ~
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◊ ◊ ◊ ◊ Nuria Montiel ◊ ◊ ◊ ◊

◊ ◊ ◊ ◊ Dave J. Bermingham ◊ ◊ ◊ ◊

◊ ◊ ◊ ◊ Erin Delaney ◊ ◊ ◊ ◊

◊ ◊ ◊ ◊ Andie Mckenzie Meadows ◊ ◊ ◊ ◊

◊ ◊ ◊ ◊ Kaleigh Moynihan ◊ ◊ ◊ ◊


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. . . . . S A T U R D A Y D e c e m b e r 1 2. . . . .
. . . . . . . . . . . . . . 7 t o 1 0 p m . . . . . . . . . . . . . .
1 5 4 2 N . M i l w a u k e e A v e 2 n d F l o o r
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G a l l e r y a n d T a n g e n t i a l U n s p a c e L a b
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◊∞◊˙˚˙◊ ◊ ◊˙˚˙:˙∆˚˙˚∆ :˙˚˙◊ ◊ ◊˙˚˙◊∞◊

ANTERIOR         ARCHIVE         N E X T

H O M E ︎︎             ︎︎︎


◊∞◊˙˚˙◊ ◊ ◊˙˚˙:˙∆˚˙˚∆ :˙˚˙◊ ◊ ◊˙˚˙◊∞◊
◊ ◊ ◊ ◊ ◊ ◊

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